“Playing with captivating passion, the McCain Duo’s joy and admiration for each piece was transcendent. Artina and Martin’s distinct collaboration whisked the audience away on wavelengths flowing from classical complexity to animated groove.”
— De'Siree Reeves, Groupmuse
“The opening track, Andante, Op. 64 by Alexander Tcherepnin showcases McCain’s rich and expressive bass trombone sound. His playing is very controlled and seemingly effortless. In both demanding technical passages and long, lyrical phrases, McCain demonstrates a solid command of the instrument.”
— Alan Carr, International Trombone Association Journal
“Martin’s huge warm sound always has clarity and he maintains a beautiful tone and control at both extremes of the register”
— Alwyn Green, Glissando Magazine (UK)
“Very good playing musically and technically on the highest level.””
— Ben van Dijk, Rotterdam Philharmonic Orchestra
“McCain is easily one of the finest bass trombonists playing today.”
— Tony Baker, Dallas Opera & University of North Texas
“I love her sense of color, balance, and texture when she plays— brava!”
— Michelle Schumann, Austin Chamber Music Center
“She exhibits a mastery of her instrument which easily spans the performance eras and idioms. A probing thinker, her interpretations always represent a deep understanding, both of the composer, and the performance practices of the milieu she performs. She is a fiery and dynamic pianist who is guaranteed to rivet even the most discerning and learned of audiences”
— Derek Menchan, Voices of the People
“A pianist with power and finesse”
— Dallas Arts Society
“Artina and Martin McCain’s virtual visit to The University of Texas at Austin was a shining highlight in a year that has often been discouraging for music students and faculty. Their energy, artistry, positivity, and fearless leadership of these challenging conversations will inspire our ongoing work for a long time to come.”
— Mary Ellen Poole, Director University of Texas at Austin
